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Correspondance (a sketchbook)
Correspondance (a sketchbook) Joseph F. Keppler E! R A T I O © 2009 Joseph F. Keppler No part of this book may be reproduced without permission from the copyright holder except by a critic to quote or to copy drawings for an article in a print or electronic periodical. E· R A T I O E D I T I O N S N e w Yo r k 2 0 0 9 e r a t i o p o s t m o d e r n p o e t r y. c o m I N T RO D U C T I O N What can I call this work? Neither painting nor critique yet informed by art, the following are sketches to me. Rather than executed on paper, they’re drawings designed using the pervasive computer. These graphics approach oeuvre subjectively, not as meticulous copies or art history illustrations, but as some poetic efforts I began in Seattle and New York and finished mostly in Paris. These new drawings extend a basic familiarity with particular artists and offer contemporary representations engaged with their histories, which have never been gathered like this. My laptop simply opens a new capacity for thinking about art and drawing it. Since these simple, computer sketches joyfully correspond with existing art, I think, Correspondance, as if one could connect the childlike and the established or could convey being both at a very early stage and somewhere in the unrelenting present’s temporal reverse. In order to connote reaching stations of art and possibly connecting the artistic spirit of the cave with the wall or page or monitor, I think the French word, correspondance, may be better than the English, correspondence. The work I thus shall call Correspondance (a sketchbook) sets me temporarily free from the grip of the academic, the headlock of the comment trade. The sketchbook pictures artists’ histories outside traditional frames. As studies these are (a)musing tributes as well as appropriate(d) attributes. These sketches bump into artists unexpectedly, and I hope you enjoy making their acquaintance in this playful context as well as in more traditional, institutional settings. The contents page lists the artists in the order they are presented in Correspondance (a sketchbook). Each name is reiterated on the left page facing a corresponding drawing on the right. There are otherwise no page numbers or titles. Please note that you can control how your computer will present the verso and recto pdf-pages with the View function on the common Adobe Reader toolbar. Correspondance (a sketchbook) is designed for a View: Zoom option of Fit Page and a View: Page Display option of Two-Up with Show Cover Page During Two-Up. Joseph F. Keppler, Seattle, 2009 for Michael McCafferty ART ART ART ART Contents Ad Reinhardt Agnes Martin Andrea Mantegna Andy Warhol Anonymous Auguste Rodin Barnett Newman Claude Monet Constantin Brancusi Cy Twombly Ellsworth Kelly + Gerhard Richter Gene Davis Georg Baselitz Gustave Courbet Jackson Pollock Jeff Koons Jenny Holzer Joseph Beuys Kasimir Malevitch Katsushika Hokusai Kurt Schwitters Marcel Duchamp Mark Rothko Pablo Picasso Pierre Auguste Renoir Piet Mondrian Richard Prince Richard Serra Robert Ryman Sophie Calle Thomas Struth Vincent VanGogh Xu Bing Yves Klein Ad Reinhardt FI N A L Agnes Martin Andrea Mantegna M a n t e g n a Andy Warhol AND AND Y☀ Y☀ WARWAR HOL HOL Anonymous history who makes each us all makes children history Auguste Rodin TH ING TH INK ING TH INK ING BR ING Barnett Newman = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = Claude Monet :c:l:a: u:d: e:M o n e t:: m m m m t:: o n e e:M u:d: :c:l:a: Constantin Brancusi }}}} }}}} Cy Twombly !㌸"# ㌣ ㌵!$!㌶㌶ !"%"㍇! 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" #' ' ' ' ' ㌵ ㍆ # $ %' ' & !㌸"#㌻ ㌣ ㌵!$! ㌶'㌶!"%"㍇!"!"#㌵㍆#$%& ξὥλῐ σΠᾭ Ϡζξ ξ ὥ λ ῐ σ Π ᾭ ξ Ϡ σ ὥ ζ Π λ ξ ᾭ ῐ Ellsworth Kelly + Gerhard Richter Georg Baselitz -= = + = + g + = + = + = + = + = + r -= = + = + + = + = + = + o = + = + -= = + = + e + = + = + = + = + = + G --= + = + = + = + = + = + = + = + -= + = + =+-=+ bags baskets books bottles boxes buc kets cans cartons d u m p s Gustave Courbet Jackson Pollock llo olloo o o l o o l llo o olloo llooll ollo ollo o o o l o o l o o l o o l olloo ollo ollo llooll oollo ollo ollo olloo llooll o o l o o l o o l o o l ollo ollo oollo ollo olloo ollo ollo o o l o o l o o l o o l llooll o ollo ollo olloo llooll o o l o o l o o l o o l o ollo ollo oollo olloo llooll ollo ollo o o l o o l o o l o o l olloo ollo ollo llooll oollo o ollo ollo olloo o o l o o l o o l o o l llooll ollo ollo ollo olloo o o l o o l o o l o o l llooll oollo ollo ollo ollo ollo ollo oollo o o l o o l o o l o o l olloo ollo ollo llooll o o l o o l o o l o o l ollo ollo olloo o olloo o o l o o l llo olloo o l l o o l l o llooll oollo o l l o o l l o ollo olloo o l l o o l l o llooll oollo o l l o o l l o olloo llooll o l l o o l l o o olloo o l l o o l l o llooll oollo o l l o o l l o olloo llooll o l l o o l l o o olloo llo . .. . . ... . . .. . . . . . . . . ... . . . ..... .. .. . .. . . . .. . . .. . . .. . .. . . . .. . .. . . . . . . . . .. . . . . .. . . . . . . . . . . .. . .. . . . . . . . .. . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . .. . .. . . .. . . .. . Jeff Koons Boon Toons Jenny Holzer JENNY HOLZER Joseph Beuys hare v e fat veuys felt y s school Kasimir Malevitch Katsushika Hokusai W eva Kurt Schwitters lan guage DA guage lan guage la Marcel Duchamp R. MuTT 1917 Mark Rothko RO TH KO Pablo Picasso pp i i s s ca o Pierre Auguste Renoir Th er ea re no ug ly pe op le. Piet Mondrian -l= +l - l = + l -l =+l l = +l-l=+l-l=+l-l+l l=+l -l +l-l=+ll=+ll = =+ll=+ll =+ ll =+l -l=+l-l=+l-l= +l-l=+l-l=+l-l=+ll=+l-ll=+ =+l-l-l=+l l= +ll =+l l =+ -l= +ll=+ll=+l-l =+ll=+ll =+ll= +l -l=+l l-=l ++l=--ll==- l+++ll=-ll-ll=+l-l=+l-l+l l-l++=+l = l l + = l l + = l l + = l l +l=+l--l=+lll=+l+ = l l + l l + = l = =+lll-l=+l-l=+l-l= + = = l l + = l l =+ l=+l + = l l + = l l + = l =-+l-l=+l-l=+ll l + = l l + = l ll-l+=+l+==l-lll=+ -=+ll++==l-l-ll=+l l+-ll= + l=+l= l =++ll l + = l l + = l l =+l l =+ = l l + = l l + -l= +l-ll=+ll=+l-l l=+l+ = l --l=l+l=++ll-ll=+l=+=lll+l=+l= l -l+l+==l Richard Prince I WANTED A SMOKE BAD SO SO I WENT TO GET MY FAVORITE– A MARLBORO MARLBORO. O ON THE WAY I RAN RIGHT INTO A R REAL SWEET NURSE I I KNEW THROUGH MY BUDDY, DE DE KOONING. THOUGH I DID EVER EVERYTHING I COULD, SH SHE DIED TH THERE AT THE SCENE. BUT NOW THEY’RE BOTH WITH ME, ME, SMOKING IN MY LATEST WORK. Richard Serra sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture sculpture Robert Ryman R. Ryman Sophie Calle Please call me! Thomas Struth P R ADO oooo oooo oooo oooo oooo oooo oooo Vincent VanGogh learning from them learning learning from them learning learning from loves learning learning from loves learning Gene Davis Xu Bing strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers strangers SJA M ITK H JO ON HN SO N W ILLR IA M S JO NTEH SB RO W NN DA VA ISM ILIA LER W ILR STO N M O OSRO ETA YC LO RA N DED RR SO NETZ H O M A S C S W H T I E H A R S I M A R T N I O M P S O G R C M A N I E Z R O B N I N L A R K R O G I U L E W S I L E E W A LS KO ERN HA LA LA LTLE ER N YO U N G H E R N A N D EU ZR KN INEG W RSIG H TM LOPPBEEZLLH ILLS C O TTV G R EESN A DA M SSBC A KE R G O N ZA AR LETZ N E L C R M T I C H E L L P E R E Z R O B E R T S T R P H L I L P I C A P A R K E R E A N E D W A R D O L L N I S S T E W SH AO NW CH ER ZD M O RRRD ISR OR G ES RPSER ER ED CO O KA M O RGIRA N BM ELLM URA PH YO BA ILEB YR RO IVEO RA C O O PA ER RIC H A RR D SEO N C O X A W A T O R E T E S O N G R Y R A M E Z J A E S W T S N K S K E L L Y S N D E R S P C I B E N N E T T WA O O DG BATO RN ES R O SRSSH EN DO ERN SO N C O LG EM A N JA EN KB IN SA PE RR YPLO W ED LLLO N G PE A TG TER S O N HZ UH G H ES SM FLO R E S W S H N I N B U T L E M I M S F O 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N C IS O O D M A N M A L D O N A D O Y A T E S B E C K E R E R C I K S O N H O D G E S R O I S C O N N E R A D K N I S W E B S T E R N O R M A N M A LO N E H A M M O N DD FLO W ER RA SC O BA BM O O DY Q U IN N BG LAR KO EM A XG W ELA LPLO PTEO FLO Y D O SY BLO RN EM PAA UN L M C C A R T H Y G U E R R E R O L N I S E Y E S T D A S N D O V A L G B I B S T Y L E R S S F T I Z E R D S K E S D O E S H E R SH AU N D E RSN W IS ER CISO LO N G ILLLA LVA R A D O G RSEPE RR PA DILN LAS SM IMC O N W ATLIN ERS N U NEERZM BAA LLN ARFD SN CC HH W AC RTH ZM CA BRN IDE O U S T O C H T E N S E N K E N I P R A T T B R G I G A S O L A U G H Z M I M R E B U A N 鳥釆鳥釆鳥釆鳥 鳥釆鳥釆鳥釆鳥 MB O R A NA CO PED LA DERW OY PITN TM A N BR RS A DN YM C C O R M IC KN HO LLO W A YB R O CTK P O OO LEFR A N KH LO G ALN O W EN 釆鳥釆鳥釆鳥釆 釆鳥釆鳥釆鳥釆 鳥釆鳥釆鳥釆鳥 鳥釆鳥釆鳥釆鳥 A S S M RD SH RN A K O G J E F F E O P A R K M O R T O A B B O T T S P A R K S P A R C I K N R T O N U F F C A Y T O N 釆鳥釆鳥釆鳥釆 釆鳥釆鳥釆鳥釆 鳥釆鳥釆鳥釆鳥 M A S S E Y L L O Y F G I U E 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Keppler is a sculptor living in Seattle who works mostly in steel. taxis de pasa logos E· R A T I O E D I T I O N S E· N e w Yo r k 2 0 0 9