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Title 『ジェイコブの部屋』をあとにしたジェイコブ ― エディ プス
Title Author(s) Citation Issue Date URL 『ジェイコブの部屋』をあとにしたジェイコブ ― エディ プス・コンプレックスへの模索 ― 丹羽, 敦子 F-GENSジャーナル 2004-09 http://hdl.handle.net/10083/3841 Rights Resource Type Departmental Bulletin Paper Resource Version Additional Information This document is downloaded at: 2017-03-29T01:33:21Z !-+*,.(0/")#&'$%-+*,. "" &+%,)!(.,-*')$#0/ "" Jacob Leaving Jacob’s Room "" Struggling toward the Oedipus Complex "" #! $" The protagonist of Virginia Woolf’s Jacob’s Room(1 9 2 2) ,Jacob, has been usually read to be killed in World War I. However, there is no evidence in the novel to show his death on a battlefield. This article explores this mysterious death of his in terms of his relationship with his mother. Jacob’s lack of language associated with a preverbal infancy demonstrates that Jacob remains in the pre-oedipal phase. He goes in quest of a suited mother to construct mother-son’s relationship and repeatedly demands Mother’s love from several women including his own mother. But all his attempts eventually fail. He cannot pass the Imaginary to stay there in pursuit of Mother’s love, which makes ambiguous his death in the war, since war is usually regarded as a masculine event in the Symbolic. In this sense Jacob might be read to survive the Great War in some way because he refuses to accede to the Symbolic. The possibility of his survival can be interpreted as subversive of the Symbolic order. Key words : Virginia Woolf the pre-oedipal phase World War I 本論では、ヴァージニア・ウルフの小説『ジェイコブの部屋』 (1 9 2 2)を、主人公ジェイコブとその母ベティの関係を軸に 再読し、第一次世界大戦で戦死したとされるジェイコブの死の真相の見直しを試みる。 その寡黙さが言語未習得の幼児を連想させるため、前エディプス期にいると推測できるジェイコブは、母とだけでなく、他 の女たちとも母子関係を結ぼうと試み、 「母」の愛の獲得に努めるが、それらはことごとく失敗する。そのため彼は想像界に 留まり、 「母」の愛を求め続けざるをえないのだが、このことが、ジェイコブが戦死したとする解釈に疑問を投げかける。想 像界で逡巡するジェイコブが、象徴的な領域である戦争に参加したとは考えにくく、また想像界にいるからこそ、戦争を生き 抜いたとも言えるからである。そしてこの可能性は、彼が戦死したとする定説を覆すとともに、象徴界の秩序の揺らぎをも露 呈する。 )#2#-" 3$#*.%!'1/ :(,&0+6 <4785;9 d%mte#h|vRÅÏ+miglwRû,S!ÛµË P9K[5Z:!)IF*RSmiglwGIFRLSO47M ÚÐR.2//õPÂ7_!¹É¡miglw#v{~o%nR, ®4²^RL3^"ER#L=RÅÏS§Á7\§VL!mi õ´7\/1¨LаA^VLR/-Êõbø4FYRL3^"Ð glw8N=7\ RFXP4O:OIFR7bÝ^ðæL3IF ÒbúÙP?K4^FXÐÕb®aC^ø·Y×:!OP[]Y =M8a7^"?7Y!ÅÏR!îLY§LY!ýRÒPS_ ¹É¡8ÐÕL°QFXP!ÛµËÚÐL°ÿ?FÉ$URj O4miglwS!ö8ý7\IK4IF=Mb5X7A" }m%GMa_K4^"VF¹É¡ï-!/1¨M45¸>Lÿ: M=`LmiglwRàOòáS! ê7¯ç>_^[5P% OIFh|vRsu%R°bëcGYRGM45éè¯çY× ¢O=ML3]!òPÃMS'×P.b a>O4=ML3^" 4" RHPÈ_^[5P!=Ròá8Rôb¶¥?!?F8IK . G8!EYEY¹É¡miglwS"ìP°cGRG`57"O ÒjrfxnR$½ñR,³RÇØb3Ô>C^O\T! 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"QFQ!¾%\c!«JbüR` /}¯%¬ w8HWYV"QFQ!UbI>v.CN]`ZB[c**0 -=7.]WuT 0]BC®(x|G)ps!Usc!/npKN]b_B eq_4qi`or5G!дvÛuT!¡¯(¦(`l!²] bÝ\6uOsr]Fp!ÐDbÊåGÃusr" ¸pQO0]BC²b{©(vãCBlb`lQ[BVb\A ? ±{c!#fb1ºG! /ªbryf»qnJbv'Mr0¾ZbG r"}¯%¬ c! /¡`ELr¸pQB<Ú`Rrd ¿]_Y[д`\r]XÆQ[Br-±{ b9=7. "}{ bÐ Ïbæ¯0`®DpsS`!Ub°v ¬\ð5QVlbW ´¢i\Ar¤§(]#¢zG¨Y[-srN]\!#`Rr} Fp\Ar-Showalter 8=@3>8. "hVNb°c!д] { bóBGñG!tbK3`óÁOs[Br" BCÿ\lðsV"ODd! pbVâü"lb¥(vLQ! N>û( KQ[Vâüv"YV(süc!2HbfBRÛvb´ Bazin, Nancy Topping, Jane Hamovit Lauter. +Virginia Woolf's Keen Sensitivity `vB[! /uâVXb:ù_Zb˦0 ]0w\BV]BC -Hyam to War : Its Roots and Its Impact on Her Novels., Virginia Woolf and War : Fiction, Reality, and Myth. Ed. Mark Hussey. New York : Syracuse UP# :?."NbN]v!¸ÐRbdÏÇÞýbóÈ]ÐeRr/q\c! 8@@8$ 8;3:@$ x¯»híc&1\Ar"QFQ!ü°]BC¸VXbö3 Benjamin, Jessica. The Bonds of Love : Psychoanalysis, Feminism, and the Problem of Domination. New York : Pantheon Books# 8@??$ _l¶Ù\bдÇ_H)vUN`)r_pd!Usc}¯% Bowlby, Rachel. Feminist Destinations and Further essays on Virginia Woolf . Ed- ¬ ÐD!yÀÇ_¨vCrGRlb\Ar" /¸pQ 8@@>$ inburgh UP# O0vð5Rr¡bÎ`LZ¸GUboC_?Ï`oVN]c Dyer, Richard. +Don't Look Now : The Male-Up., The Sexual Subject : A Screen Reader in Sexuality. London & New York : ìÜ\Aq!FZyÀÒbgOvSÃQ[lBr" Routledge# 8@@9$ 9=<3>=$ yÀÒbCpIvaR~(c!Nbtb»\lñFs[ ±{! ¨² a/rÇ]BCN]0 -8@::. 1±{¿Ll8ú Br"Usc!±®²bHÀÕ\bß~\Ar"õbB_B Ý:-%§. 2'ÊCYª=!ûqÁ!9777â!;>>3@=ý" ))b$ /cË!{y!д`ÞRrÚ!Mb"xÇç`ZB[0 -8@99. ±®²G!mcqõbB_BU^lvOjN]\_±f# 1±{¿Ll=bÎU%òµ+åU2¼©<T=!ûqÁ!977:â! M[BNC]Q[BrN]c!¡`NÉQ[yÀÇÝ`_rN 9<;3=>ý" ]vAë_JOs[Br}{ bõ`Ar"Nsc!}{ Henley, Nancy. Body Politics. New Jersey : Prentice-Hall# 8@>>$ /#0b´vñk§LV.`^NFfòY c¡`NÉTS! Hyam, Ronald. Empire and Sexuality : The British Experience. Manchester & New York : Manchester UP# 8@@7$ 1 «y®zbÅE3÷±{® [BYV]BCÐe]]l`!£Ç_N½\bHPqbÊå b]dÏ2+Êéî=!çq(!8@@?â. Klein, Melanie. +Notes on Some Scizoid Mechanisms., -8@;=.The Selected vaRlb\Aq!yÀÇ_lbb`ì9vÌMFL[Br Melanie Klein. Ed. Juliet Mitchell, New York, The Free Press# 8@?>$ ]BDr" 8><3977$ /úPÇçå`ZB[bØq0 1©(% {²¿Ll;7 Nbtc!*Î]K3b{6G0ÅQ[Eq! *Î\R\`} Ç%úPÇÒ2tG8þ2ª=!}q(!8@?<â. Lacan, Jacques, a. +The Mirror Stage as Formative of the I Function : as Re- { bY]BC%.Gà¹Os[Br]!³z²²%} vealed in Psychoanalytic Experience.,Écrits : A Selection.8@==. Trans. Bruce ®(cXÆQ[Br-9>7. "QFQ%.GR\`*Î\¶aOs[ Fink$New York & London : W.W.Norton & Company# 9779$ :3@$ /5u Br]QVp!Usc#¢zFpòY[BJ}{ bTWt VQ6bçåvÿRrlb]Q[bô£·Ô3úb"+Gusus `aRlb0 1~ ®"2ï+¼?=!;ûÑ!8@>9â. C"yÀÒfÝrVk`#bl]vJsVbF!Us]l£Ò` ))b. +The signification of the Phallus., Écrits : A Selection$ 9>83?7$ /x¯ Mhq!#b´vñk§LrVkWYVbF"UbÍDc!¡v b¹1LE0 1~ ®#2I'89_=!;ûÑ!8@?8â. `Q[BJZlbÊåvàw\Br"UbVk!NbtbK ²!ª 1úbQå+Öã2 -8@=;.ª 4y²%§°(¯ ÿ!to=äª=!áæqÉ!9777â" ²bì9\Ar/}{ bY0bêcX,_hhPOs[B ,Vä1²ÈÙùÝb~ 2@¹d!9779â" rG!UsWFpNU!Nbtc!yÀÒbCpIv È Neale, Steve. +Masculinity as Spectacle., The Sexual Subject : A Screen QVlb].Dr" Reader in Sexuality. London & New York : Routledge# 8@@9$ 9>>3?>$ Ruddick, Sara. +Private Brother, Public World., New Feminist Essays on Vir- 75 ginia Woolf. Ed. Jane Marcus. London & Basingstoke : Macmillan# -43-$ -30+.-0$ Sherry, Vincent. The Great War and the Language of Modernism. Oxford UP# .,,/$ Showalter, Elaine. The Female Malady : Women, Madness, and English Culture! 1830"1980$ -430$ New York : Penguin Books# -432$ ' )`At@_89 +UT<NWwP*XndYh{!lo]r\!-44,p( kg~Y)L=:5;+BDIKHCHC<|y>c[R*Sq^m!.,,.p" Taylor, A.J.P. The First World War : An Illustrated History. Harmondsworth : Pen-411$ ' )jMZbQie*fnz{!as}!-43,p( guin# Vanita, Ruth. %Bringing Buried Things to Light : Homoerotic Alliances in To the Lighthouse.& Virginia Woolf : Lesbian Readings. Ed. Eileen Barrett and Patricia Cramer. New York & London : New York UP# -442$ -10+24$ Ed.Sue Roe$London : Penguin Books# Woolf, Virginia. Jacob’s Room. -4..$ -44.$ ' )GEDFJ>uO*]vVY{!?67^x!-422p( Zwerdling, Alex. Virginia Woolf and the Real World . Berkeley : U. of California P# -431$ 76